You should get better results if you take a look at the published frequency response curve of both mics and dial in an EQ curve to counter the proximity effect. I had no idea about this microphone until about a year ago when a friend had it at a live show that I was mixing and he asked if he could use it as his mic for the evening per his preference. Once the capsule has been compromised in this way, the mic can no longer be used for close-proximity vocals. Update my browser now. Apparently, the Neumann KMS 105 condenser mic is more compact than KMS 104 counterpart, meaning it … Neumann is arguably the most recognized microphone name in the business, so when I heard about the KMS 104, the company's newest live vocal microphone, I immediately took notice. When you buy products through links across our site, we may earn an affiliate commission. Great multi-setting vocal mic! The KMS 104 — at $649 street like the KMS 105 — may not be for you if you’re living out of a van and tossing your gear in and out with little regard for its lifespan or have a crappy PA that kills everything that goes through it. For more stories like this, and to keep up to date with all our market leading news, features and analysis, sign up to our newsletter here. When it comes to the best vocal condenser microphones, then the Rode s1 and Neumann kms 105 will be automatically found in that list. The Neumanns’ high-pass filters at 120 Hz eliminated much of the low-end associated with proximity and extraneous noise. I hear that it shines with strings, but I'll have to put that to the test, but I imagine it would be a good choice in that setting too. The third is a small plastic-framed screen that surrounds the diaphragm. Other notable design stats include an invariable, built-in high-pass filter with a cutoff frequency of 120 Hz, dynamic range of 132 dB, self-noise level of 18 dBa and a transformerless output circuit. I love these mic's for live recording. These are essentially small-diaphragm condenser mic's that have been modified for handheld vocal use. If you are a fan of the KM100 series of SDC's, you will love these mics. This is accomplished via different means for the KMS 104 and its older sibling, the KMS 105. Both mics have a very thin, screened fabric directly over the diaphragm. Go to your local store and give it a try, or buy it and never look back! Most supercardioids pay for this with floor monitor problems if the monitors somehow end up in the rear lobe of the mic. It virtually eliminated plosives, yet allowed sibilance to naturally pass through. It sounds great on strings, saxophones, trumpets - whatever you throw at it. Overall, this is a great sounding microphone with the convenience of being in a handheld format! Find helpful customer reviews and review ratings for Neumann KMS 104 Handheld Vocal Condenser Microphone Nickel at Amazon.com. The KMS 105 lost a bit of low frequency response when I put the mechanical filter from the KMS 104 on the KMS 105. The KMS 104 during the first evaluation was also used on a female vocal singing in mostly the soprano range. Putting the KMS 104 headgrille on the KMS 105 took off a bit of top end, making it sound smoother or less peaked. SPL handling at full voice was never an issue for the microphones with any vocalist during the evaluations. The KSM104 uses an outer screen internally lined with 1/2-inch to 3/4-inch foam and a small cap over the actual diaphragm. The KMS 104 and KMS 105, besides their differences in pickup pattern, share the same tech specs: each mic requires 48 V phantom power, offers 20 Hz – 20 kHz frequency response, has a rated impedance of 50 Ohms and provides a maximum output voltage of 12 dBu. I've had this microphone for about 3 years now and it has never failed to impress me and others who have used it in my studio! Apparently, the Neumann KMS 105 condenser mic is more compact than KMS 104 counterpart, meaning it … You can always bank on the fact that they make leave budget lines to other manufacturers. The capsule cannot be cleaned, so the only fix is to replace the capsule - which is a rather costly solution to a problem that will be common in a mic used for live vocals. Update your browser to view this website correctly. The Neumann KMS series of handheld condenser mic's are very versatile and sound great. There are two: the 104 being the cardioid and the 105 super cardioid. The KMS105 delivers that delicious Neumann sound in a mic that has really low handling noise, and excellent reduced feedback and 'pop' capabilities. I must give credit to Neumann. Sits in the mixes really well. I don’t hear much of a difference off the back of these two mics at vocal frequencies, although I can clearly hear the difference around front. Cardioid pattern; well-built, road-worthy craftsmanship; clip and padded case, Neumann USA860-434-5220www.Neumannusa.com. You'll be a convert in seconds! The KSM105 has three different level of screens designed to protect the diaphragm element and also combat plosives. The only thing that could be repaired is the wiring between the PCB and XLR connector although due to the robust construction, I can’t imagine why this would be an issue. Published: March 15, 2007. Belmont Church occasionally uses a hot-spot monitor, so I did some testing with the hot spot at approximately a 30-degree angle towards both microphones’ diaphragms. 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