Cardioid pattern 3. Very swell. (I’ve used … The mids are very smooth, the lows have a nice deep timbre, and the highs sound very natural to me. Electrostatic transformerless cardioid (tlm). Burl Audio, under the direction of owner/designer Rich Williams, has developed some of the best new recording equipment over the last eight years. ($1499 street; www.neumann.com), AT8470 Quiet-Flex Mic Clips, AT8456a Quiet-Flex Mic Clips, AT8471 Isolation Mic Clip, Jim Williams: Behind the Gear with Audio Upgrades, Restoring the "Holy Grail of Compressors": Behind the Scenes at the Vintage King Tech Shop, From WWII Planes to Stax Consoles: Behind the Gear with Bill Cheney & the History of Spectra Sonics, Rich Williams: Behind the Gear with Burl Audio. We had very little time to "get sounds", so I put up three different mics in front of my DW 16" x 22" bass drum with Aquarian heads: a TC30K, an MD 421, and the TLM 49. The TLM 49 is a cardioid (good) Designed for making voice and although I have been able to try it on other source, it should work well on instruments that do not s'inquitent its size! Cookies help us improve performance, enhance user experience and deliver our services. The high-end wasn't as smooth and airy here as I would've liked. Even close-mic'ed, the guitar wasn't too boomy, and although the highs were pronounced, they didn't cut my head off. Its cardboard box is more than enough to store in the studio. It can be versatile on other instruments. Condenser microphone with cardioid capsule with large output circuit transistor designed primarily for vocals. Large, acoustically open headgrille 5. The RCA 44-A, is one of these. It is designed primarily as a vocal mic, with a sound … Sweet sounding, even on my brightly-voiced Yamaha U3 upright, but I needed another mic to fill out the lows. I've used this mic on a bunch of sessions lately, and y'know, it's one of those mics that seems to sound good on anything. It is designed primarily as a vocal mic, with a sound inherited from the U47 and M49 microphones (both of which also used the K47 capsule). TLM 49, Large diaphragm condenser microphone from Neumann in the TLM series. I wanted to re-amp some tracks for the band Shepherdess (members of Fuzzy, Fudge, Consonant, The Operators) so I'd have some extra guitar flavors for final mixing. The capsule also exhibits a natural low-end rolloff from 40 Hz on down, without the use of electronic filtering. As a reminder, PSE 825 … The TLM 49 is a cardioid (good) Designed for making voice and although I have been able to try it on other source, it should work well on instruments that do not s'inquitent its size! Physically, the TLM 49 looks more like Neumann’s classic M 49 (and its cardioid-only sibling M 50) than the U 47, but all these mics share the same kind of peaks and dips in frequency response. The TLM 49 is a large-diaphragm FET condenser microphone with Neumann’s K47 capsule. Overheads? I preferred a pair of AKG C 460Bs or a Royer SF-12. Upon listening to the recorded tracks, I was surprised how composed the TLM 49 sounded; even with no damping inside the drum and the mic inches away from the front head, the TLM 49 didn't sound boomy. And whether I'm recording vocals or not, it's a great mic to pull out of the closet when I want a bit of high-end hype. Plug the mic into a preamp; feed the signal to your favorite compressor or leveler; hit record; done. I found that for vocals, the TLM 49 has a very smooth upper-mid presence without sibilance or buzziness. The TLM 49 has a fixed cardioid pattern and is designed mainly as a microphone for vocalists, but its clear bass and superb midrange with a gentle presence boost above 2 kHz will produce excellent results with various instruments, too, such as acoustic guitar and upright bass. Too bright, but not as screechy as other modern LDCs. Neumann TLM 49 Cardioid Condenser Microphone. After reading Mike Jasper's excellent review of the Wunder Audio CM7 mic (Tape Op #59), where he paraphrases Wunder designer Mike Castoro's explanation of how the U 47's grille helps to define its legendary sound, I pulled out the TLM 49's spec sheet. If you're looking for a bigger-than-life, unfiltered vocal sound, it'll give it to you-no sweat. There’s a peak at 5 kHz, a dip in the 7–8 kHz range, and then another peak at 10–11 kHz. Acoustic guitar? REVIEW The ‘retro’ design of the new Neumann TLM 49 is unmistakably reminiscent of the legendary Neumann M49, with its bulky girth, its chunky ‘open’ grille and its substantial weight and size. Transformerless solid state circuit with tube sound characteristics 6. Same capsule as legendary Neumann U 47 and M 49 microphones 2. From 40 Hz on up, the new Neumann's response is a smooth and pretty-much straight ramp up to 5 kHz. This explains the mic's presence at 5 kHz, the lack of sibilance at 8 kHz, and the sparkle at 11 kHz. Sure enough, I got a nice full image of the kit with the bass drum sounding neither boomy nor muddy. As a reminder, PSE 825 grams, 80 grams against the 184 of one kilometer! He's the owner of Audio Upgrades,... Vintage King co-founder Michael Nehra shares some of his love, knowledge, and practical advice for diving into the world of vintage audio gear, and then takes us behind the scenes for a walk through... Bill Cheney and Jim Romney are the men responsible for keeping the amazing legacy of Spectra Sonics, a legendary, if criminally unheralded, pro-audio company alive. Perhaps this is due to the TLM 49 having a grille made of three-layers of wire mesh-first large-gauge, then small-gauge, then large-gauge-like the classic Neumanns (as Mike from Wunder explains). As a reminder, PSE 825 grams, 80 grams against the 184 of one kilometer! Once I realized how "no-brainer" this mic is when it comes to recording vocals, it was a no-brainer decision to buy it. Piano? News. did pick up was snappy and still usable, and off-axis rejection was fantastic for a cardioid, large-diaphragm condenser mic-more like a hypercardioid than cardioid. When a representative from Neumann sent me this mic months ago, I was told that it was a killer vocal mic. I've put it on everything except drums, and the sound always seems full, warm... Take a phantom-powered version of the "Build Your Own Mic" from Tape Op #16, install two in a plastic model of a human skull, and you have the coolest new mic to track stereo signals in the studio... Jim Williams has spent much of his 56 years working with some of the biggest names in the music business, including Frank Zappa, John McLaughlin and Stevie Wonder. I love my Shure KSM32, but it's not always a flattering mic on voice because it tells it how it is-great midrange without any hype. Proximity effect on the TLM 49 is more linear and doesn't slope up so quickly, so it gives you much more room for... well... moving around when singing. The TLM 49 is a large-diaphragm FET condenser microphone with Neumann’s K47 capsule. Next, I tried it on kick drum. After reading Mike Jasper's excellent review of the Wunder Audio CM7 mic (Tape Op #59), where he paraphrases Wunder designer Mike Castoro's explanation of how the U 47's grille helps to define its legendary sound, I pulled out the TLM 49's spec sheet. Since drummers are always destroying tom mics, it's not uncommon that the necessity to try something new on the toms arises. So that gave me the idea of placing the mic about 5 ft out from the front of the kit the next time I used the mic. Home. It just does not regret the single directivity and the lack of attenuation. Close mics on toms and snare? 1. Ver… The mic was smoother than my Groove Tubes GT50, and although neither mic is what I'd call muddy, the TLM 49 was less cloudy while still sounding full. Although in general, my M7 and M9-capsuled Gefell mics (UM92.1S, UMT70S, M930, and M990) were creamier in the lower mids, TLM 49 vocals cut through dense mixes better. 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