The mesmerising radiance of Adele Bloch-Bauer’s gaze in Gustav Klimt’s gold-flecked 1907 portrait of her provides no hint of the turbulent fate that lay in store for the painting. Aided by the publicity surrounding the release this week of Woman in Gold, a major Hollywood film about the painting starring Helen Mirren, it seems the artwork’s dramatic backstory is moving front and center. Choose your favorite the woman in gold designs and purchase them as wall art, home decor, phone cases, tote bags, and more! ‘We talked to Randi a lot but, probably even better, we watched hours and hours of Maria’s interviews, which gave Helen and I a real sense of who she was,’ says Curtis. There are many reasons that among the hundreds of thousands of cases involving artwork looted by the Nazis the story of Gustav Klimt’s “Adele Bloch-Bauer I” would particularly appeal to filmmakers. Slender art deco style figures if front of a monstrous basket of purple flowers. Vintage, original allegorical painting. Official reports commissioned by both Switzerland and the United States detailed, for example, how the Swiss had reneged on agreements to return hundreds of millions of dollars’ worth of gold stolen by Nazi Germany, while Swiss banks had agreed to a $1.25 billion settlement with Holocaust survivors after being sued for their refusal to return assets deposited for safekeeping during the war. (The painting, now in the collection of the Neue Galerie in New York, is part of a new exhibition created in conjunction with the movie. “Each time there’s a success, it gives people more hope, and that allows the restitution efforts to continue.”, The Story Behind ‘Woman in Gold’: Nazi Art Thieves and One Painting’s Return. A small museum and the highlight attraction was this painting by Gustav Klimt that he did for a very wealthy man of his wife in 1907, Adele Boch Bauer. ‘She’s the kind of person you would walk into a restaurant with and the maître d' would stand and talk to her. While some of Europe’s special restitution committees have facilitated the return of stolen art, other decisions have been questioned. Film Review: ‘Woman in Gold’ This heavy-handed retelling of the fight to reclaim a Gustav Klimt painting stolen by Nazis is no masterpiece. Earlier this month, an El Greco seized by the Gestapo in 1938 from a Viennese industrialist was returned to his family by a dealer. He would be turning around and talking to this charming woman in the back.’, Lash had a ringside seat as Altmann fought her legal battle against the Austrian government to reclaim her family’s property. Joining the cannon of Nazi Art plunder films is the recently released “Woman in Gold,” the story of Maria Altmann’s eight-year struggle for the return of Gustave Klimt’s “Portrait of Adele Bloch-Bauer I.” Adele Bloch-Bauer and her husband were patrons of the arts, supporting several artists including Klimt. And he had left his entire estate to his heirs — one of whom was his niece Ms. Altmann — when he died in 1945. After decades of neglect or outright opposition to restitution efforts, international public opinion had finally begun to turn in the wake of post-Cold War revelations about continuing malfeasance involving Nazi plunder. While her conventional dresses continued to do moderately well at her haute couture salon in Vienna, Klimt was painting the upper echelons of Viennese high society in Emilie’s avant garde dresses. Rating: 3 stars out of 4. In most instances, he said, the missing works are in private hands, and the owners either don’t know where they are or have no way of compelling their return. Woman in Gold is a true story based on Maria Altmann’s experience with the Nazi’s cruelty. The Lady in Gold: The Extraordinary Tale of Gustav Klimts Masterpiece, Portrait of Adele Bloch-Bauer by Anne-Marie OConnor. Targeted amid the Nazis’ cultural looting spree, it was one of five Klimt paintings taken from the Bloch-Bauer residence, with the pictures ending up in Vienna’s Belvedere Gallery. She is trying to reclaim two prized paintings of Adam and Eve by Lucas Cranach the Elder. Woman in Gold is an art thriller that is really a study in the hidden legacy of collaboration. We have paintings of women's backs in alluring nude portraits along with innocent portraits of women with children. ‘It’s the Mona Lisa of Austria, but it’s also symbolic of the golden years of Vienna. Here, an elderly Jewish lady who fled the Holocaust as a young bride fights to retrieve a now-famous family painting. ‘Maria was born during that remarkable time in Vienna when it had become the crucible for all the great ideas of the 20th century. In 2013, the French culture minister defended the record, saying it was “not because of a lack of will on the part of museums,” but because of scattered records and the deaths of so many who were involved. In general, the few successful claimants tend to have big bankrolls, meticulous records and an exceptional run of luck. The painting, taken by the Nazis before the war, now hangs in an Austrian museum and is beloved by the Austrian citizenry. In France, fewer than 100 of the 2,000 unclaimed works of looted art that hang in the country’s museums have been returned. In a series of flashbacks, Maria Altmann recalls Anschluss, the arrival of Nazi forces in Vienna, the persecution of the Jewish community and the looting and pillaging by the Nazis against Jewish families. ‘The highlight was the Klimts, which far and away exceeded anything we thought they were going to bring.’ For Lash the sale reinforced the notion that, ‘The auction world is a business based on relationships, not transactions.’ Prior to joining Christie’s he was a Vice-President at S.G. Warburg & Co, and paraphrasing Siegmund Warburg’s dictum on bankers, he says, ‘You can’t be someone’s auctioneer until you’re their friend. woman in gold painting - overstockArt. Trending. And finally there is the satisfying conclusion. ‘I remember Maria telling me she went to Vienna and met with one of the ministries, and she was willing to do a deal with them on the basis that they got the portraits and that the family got back the landscapes,’ Lash recalls. 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